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She was more interested in him knocking her up. Oh, and of course I took it as read that Anita was not inviting the guy round to test her doorbell. As with Freda Payne with “Band Of Gold” at the top of the decade, if Anita Ward was only going to have one hit, it was just as well that it was this. Back in the day, I was in the other camp (New Wave, as opposed to “Soul-heads”) but this one captivated me, and when I hear it today, ma feet start a-tappin’ and ma fingers start a-clickin’ in reaction to the impressive piece of music that it is. The result is first rate and the disc soared high not only here but in the US, Canada and all over Europe. Anita’s performance is also excellent, following the arrangement just nicely on the verse before raising the pitch on the chorus. It grabs attention from the start with the “boing-boings”, allied to a sharp fast drum beat and well-positioned bass line. “Ring My Bell” for me is certainly one of the finest tracks of the Disco period.
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Anita Ward may never have been heard of again but she was an interesting if not unique character, having graduated with a degree in psychology prior to becoming a recording artist. Phew! To and from Brussels with less fuss than I could have hoped for. « BLONDIE – “Sunday Girl” TUBEWAY ARMY – “Are ‘Friends’ Electric?” » Comments « 1 2 3 All * (…or wonder, till it drives you mad, what would have happened if you had!) The whole package is deceptively familiar and giddy – listen closer and you hear something fey in the old way. Ward herself gives a terrific performance, of course, following the lyrical shift from housewifely smoulder – “while I put away the dishes” – to the second verse which makes it a lot clearer who’s taking the lead: “ring my bell”* becomes a command. As the song progresses the backing elves come more to the fore, their gleeful chatter and strange clipped shrieks – “Ding-dong-ding! Wheeeee!” – tilting the song further from its expected axis. This emphasis on the treble is worked so “Ring My Bell” sounds tiny, not tinny: Ward – and particularly her backing singers – sound more elfin than sexual in their allure, and “Ring My Bell” has an eerie tint to it, like a fairyland temptation.
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Winifred’s School ChoirĬhristiansmusicmusin… on 476.“Ring My Bell” is a disco masterclass in how to use the treble – the bell itself (sounds like it’s off a bicycle!), the laserbeam bleeps, Anita Ward’s impishly breathy voice, and the skritch-skratch guitar in the middle of the stereo pan, halfway between a mouse and a typewriter. ‘There’s No One Quite Like Grandma’, by St. ‘Shaddap You Face’, by Joe Dolce Music Theatre You can ring my bell, Anytime, Anywhere, Ring it, Ring it, Ring it ring it, Aaah! What smut! Actually, it’s one basic innuendo stretched out over four minutes, or eight (!) if you go for the 12” (though I do like the tribal drums that take over towards the end of that version). Once Anita got her hands on it, the words were, well, spiced up a bit. ‘Ring My Bell’ was originally a teenybopper song about kids calling one another on the phone. She sounds like she’s going for cute and innocent as she welcomes her man home after a day’s work: Well lay back and relax, While I put away the dishes… But it comes off a little nasal and grating, especially as she hits the chorus’s high notes.
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Plus, Anita Ward’s voice is an acquired taste. I’m not sure… Should we be treating this as a novelty? It is very in your face in its attempts to be catchy. The chimes in the chorus do: You can ring my bell… Ding-dong-ding-dong… They don’t sound much like bells, though. It’s all chucka-chucka guitars, and a distinctive pew pew sound that sounds like a futuristic arcade shooter (apparently it’s an electronic drum giving us this tight beat). Ring My Bell, by Anita Ward (her 1 st and only #1)